Taylor Swift returns in style to London, where Travis Kelce and family are expected to attend

Taylor Swift has made a triumphant return to London, where she is set to kick off a series of highly anticipated shows at Wembley Stadium. The 34-year-old songstress is due to perform a trio of concerts starting tonight, June 21, marking her first return to the city since bidding it farewell following her split from Joe Alwyn.

 

The excitement surrounding Taylor’s return is palpable, with fans already flocking to Wembley in anticipation of her performance. London has been transformed into “Taylor town,” with murals dedicated to the singer popping up across the city. The atmosphere is electric as Swifties eagerly await the start of the Eras Tour in the capital.

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With a capacity of 90,000, Wembley Stadium is one of the largest venues on Taylor’s Eras Tour. Fans have been provided with a detailed seating plan by Ticketmaster, allowing them to get a sneak peek at their view for the show. The anticipation is building as concertgoers prepare to experience Taylor’s three-hour-long setlist in this iconic venue.

Taylor’s connection to London goes beyond her upcoming performances. The city holds personal significance for the singer, as it was where she resided during her relationship with Joe Alwyn. The couple dated for six years before news of their split emerged in April 2023. It is believed that Taylor’s song “So Long, London,” featured on her album “The Tortured Poets Department,” reflects her emotions surrounding the end of their relationship.

Travis is expected to attend

As fans eagerly await the start of Taylor’s London shows, they can also look forward to her return in August for an additional five performances at Wembley Stadium. The anticipation and excitement surrounding Taylor’s concerts in London are a testament to her enduring popularity and the strong connection she has with her fans.

 

Besides that, it is thought that Travis Kelce and the whole Kelce family will attend the Eras Tour shows in London, with fans speculating that they will all show up as she takes the capital city by storm.

As Taylor Swift prepares to take the stage at Wembley Stadium, the buzz surrounding her return to London is undeniable. With her powerful performances and devoted fanbase, it’s clear that Taylor’s presence in the city will continue to captivate audiences for years to come

 

Aaron Dessner shares new image of Taylor Swift and Gracie Abrams recording “us” at Long Pond Studios!


Aaron Dessner shares new image of Taylor Swift and Gracie Abrams recording “us” at Long Pond Studios!

The first time Gracie Abrams met Aaron Dessner, at his famed Long Pond studio near Hudson, N.Y., the pair wrote over 10 songs. “We hit it off,” recalls Dessner, 47, of their first session in spring 2021.

That’s a bit of an understatement, considering what followed: Dessner went on to produce and co-write Abrams’ acclaimed debut album, Good Riddance, released in February and brimming with honest reflections sung in her delicate voice that float over intriguing chord progressions and indie-rock riffs. In June, following the album’s vinyl release, Abrams topped Billboard’s Emerging Artists chart.

In early September, following appearances by both on Taylor Swift’s Eras Tour (Abrams as an opener, Dessner as a guest), the duo played three sold-out, intimate acoustic shows in New York, Nashville and Los Angeles, where they performed songs of Abrams’ both old and new. The gigs bookended a recording pit stop at Long Pond. “We made a lot of music, and it feels really different than what we’ve done before… like the best stuff we’ve made,” Dessner reveals.

Abrams, 24, is one of the newest artists to become a Long Pond regular, joining an eye-­popping group of talent that includes Swift, Ed Sheeran and, of course, Dessner’s band, The National — all of whom have been incredibly active in recent years, continuing Dessner’s streak as one of the most in-demand, and busiest, collaborators in music today. As such, and with Abrams a likely best new artist contender, could Dessner finally score a long-awaited nod for producer of the year, non-classical?