‘Metallica’s Not Running Tape’: David Ellefson Explains Why Bands Shouldn’t Use Backing Tracks, Says Some Mistakes Are ‘Beautiful’

“Sometimes, the mistakes are beautiful.”

It seems like nowadays, more and more music artists are relying on playing along with pre-recorded or programmed tracks in their live performances rather than going the 100% live route. But there are certain artists, usually veteran ones, who refuse to utilize them, or if they must, use them only sparingly.During an interview with WSOU 89.5 FM, former Megadeth and current Metal Allegiance bassist David Ellefson discussed his thoughts on the current ‘tape craze’ in concerts. And why he’d rather hear mistakes than perfection.

“The one thing about live music is, look, it’s humans, and it’s real, and you’re going to make some mistakes,” Ellefson explained (transcribed by Ultimate Guitar). “And sometimes, the mistakes are beautiful. Sometimes, moments happen.”

“It can be as simple as, someone forgets a song in the set list, and you end up playing the next song, or somebody comes out to join you for a jam, which is typical with Metal Allegiance, and all of a sudden, there’s a moment that you’re like, ‘Holy cow. That was like, shivers on the arms.’ So, to me, that’s the beauty of a real human performance.”

Ellefson also pointed out two bands he respects that are not relying on tape. And they turn out to be two of the world’s top stadium rock bands.

“Metallica, they’re not running tape,” Ellefson added. “You go see AC/DC, they’re not running tape, you know what I mean? And some bands need to, it’s part of their production. But I like when as much of the human element can happen as possible.”

“I like that because I think that’s what we’re paying for, is how fast and hard can this go, and take some corners without going off the rails? And if it goes off the rails, it’s like, ‘Oh well, it’s rock and roll.’ So, I think, I think that’s a feeling I have as a performer, too.”

Lastly, the bassist also offered up a rule that he likes to keep in mind for each performance. And it turns out to be a three-parter.

“I heard one time, and I kind of go by this: there’s the show you wanted to give, the show you wish you gave, and then there’s the show you actually gave. Those are the three ‘shows’ in every performance.”