It’s the first time the Rock Hall-inducted rap legend has secured more than one week at No. 1.

EminemEminem performs onstage at Live from Detroit: The Concert at Michigan Central” at Michigan Central Station on June 06, 2024 in Detroit, Michigan.

Eminem’s “Houdini” (Interscope) proves unstoppable on the U.K. chart, as it notches a second week at No. 1.

There’s a touch of magic about Marshall Mathers’ 11th and latest No. 1 on the Official U.K. Chart; it’s the first time the Rock Hall-inducted rap legend has secured more than one week at the summit.

Em previously led the survey with “The Real Slim Shady” (2000), “Stan” (2000), “Without Me” (2002), “Lose Yourself” (2002), “Just Lose It” (2004), “Like Toy Soldiers” (2005), “Smack That” with Akon (2006), “The Monster” with Rihanna (2013), “River” with Ed Sheeran (2017) and “Godzilla” with the late Juice WRLD (2020).

Sabrina Carpenter has had Brits drinking down “Espresso” (Island) all summer. The track holds at No. 2 on the chart, published Friday, June 14. Now, she’s getting a buzz from her new single “Please, Please, Please,” new at No. 3 for the highest new entry on the Official Chart.

Taylor Swift’s The Eras Tour is currently working its way through the U.K. Typically, TayTay’s tunes fly up the charts of those countries she visits, and the U.K. is no different. As The Tortured Poets Department (EMI) returns to No. 1 on the national albums survey, “Cruel Summer” reenters the U.K. top 40 at No. 17.

After nabbing a record six Brit Awards earlier this year, RAYE bags a 15th U.K. top 40 appearance with “Genesis” (Human Re Sources). Clocking in at seven minutes, “Genesis” debuts at No. 22. It’s the followup to RAYE’s No. 1 hit from 2023, “Escapism.”

Meanwhile, Swift’s Tortured Poets logs a sixth non-consecutive week atop the Official U.K. Albums Chart, setting a new mark for the U.S. pop superstar. Tortured Poets surpasses her previous best of five non-consecutive weeks with 2022’s Midnights. Tortured Poets retains top spot, thanks in part to the release of new, U.K.-exclusive digital formats including previously-unreleased bonus live recordings, in celebration of the current U.K. leg of her The Eras Tour.

Five classic Swift albums climb the chart: Lover (19-7), 1989 (Taylor’s Version) (21-9), Midnights (26-13), folklore (25-14) and reputation (36-19).

After leading earlier in the week, Charli XCX’s sixth LP Brat (Atlantic) bows at No. 2. According to the Official Charts Company, Brat’s first-week total eclipses that of her 2022 No. 1 Crash.

Finally, Rock Hall-inducted rock legends Bon Jovi complete the podium with Forever (EMI), new at No. 3.

Eminem Reaches New Peak in Monthly Listeners, Takes No.6 from Ariana Grande

Eminem mentions Ariana Grande on his new “Unaccommodating” track
Eminem just officially hit 82.3 million monthly listeners on Spotify, his highest number ever on the platform.

This surge not only smashes Eminem’s previous record but also bumps him up the charts. He overtook Ariana Grande (81.7 million), going from 7th place to a solid 6th place on the list of most-listened-to artists.

It is undeniable prove that Marshall’s audience is massive. He has reached this result with only one new song.

Hopefully, Eminem will keep the momentum going and crush some more records on the way.

Some Of Eminem’s Biggest Hits Return As He Begins A New Chapter

Source Hip Hop Music Awards 2000

Eminem’s new single “Houdini” is already a major hit, and it’s just getting started. The tune debuts on the Billboard charts this week, instantly bringing the rapper back to the highest reaches of almost every ranking it appears on. As that just-dropped song begins what will surely be a healthy run on the weekly rankings, several of his most memorable tracks find their way back to a handful of rosters.

Four of Eminem’s most beloved singles appear on at least two Billboard charts each. Several of them return to more than just a pair, as both Americans and listeners all around the world revisit the tunes that made him a superstar.

“Lose Yourself,” Eminem’s Oscar-winning smash, performs the best among his returning wins. That track breaks back onto four rankings, even managing to appear inside the top five on half of them.

This week, “Lose Yourself” bounces in at No. 5 on both the R&B/Hip-Hop Digital Song Sales and Rap Digital Song Sales charts. The Hot 100 ruler has previously stalled in the runner-up rung on both of them. The same cut is back at No. 159 on the Billboard Global 200 and No. 168 on the Billboard Global Excl. US tally.

“Without Me” is also back with a vengeance. That single is sampled on “Houdini,” so it makes sense that fans of Eminem would listen to and buy the cut in large numbers.

One of Eminem’s sillier productions, “Without Me” is still incredibly popular. This week, the cut lands at No. 7 on the R&B/Hip-Hop Digital Song Sales and Rap Digital Song Sales charts. It bolts into the upper half of the Billboard Global 200 and Billboard Global Excl. US at the same time, lifting more than 100 spaces on those two lists.

“The Real Slim Shady” experiences a very similar performance to both “Lose Yourself” and “Without Me,” in terms of which rankings it returns to. One of Eminem’s earliest hits is back at No. 9 on the two aforementioned sales rankings. The smash also makes its way to the worldwide rankings, joining with several other cuts from the rapper.

One more tune from the hip-hop powerhouse manages to carve out space on both of Billboard’s global rankings. “Mockingbird” reappears at No. 132 on the Billboard Global 200. It was already present on the Billboard Global Excl. US list last frame, but this time around, it flies more than 50 spaces to perch at No. 104.